Kylix firmata da Hieron come vasaio, attribuita a Makron. Datata circa. 480 a.C.

Raffigura all’interno un satiro suonatore di flauto e una Menade; all’esterno scena di simposio. L’esterno fornisce un’illustrazione particolarmente completa del simposio e, soprattutto, del suo armamentario: un cratere a colonna inghirlandato per mescolare vino e acqua, un grande skyphos per il sollievo di un simposio malato, un supporto per lampada che può ospitare un mestolo e un colino, krotala (nacchere) e un cestino appeso alla parete di fondo. Rispetto alle figure all’esterno, il satiro e la menade (seguaci del dio del vino, Dioniso) appaiono davvero formali.

Reca più iscrizioni in greco:  Kalos / Kale: RHODO [P] IS K [A] ​​LE; RODOPIS Firma: HIERONEPOESEN

C.M.P.

Richter, Gisela M. A. 1923. “Athenian Pottery: Recent Accessions.”Bulletin of the Metropolitan Museum of Art, 18(11): pp. 253–54, 256, fig. 1.

Hill, Dorothy Kent. 1942. “Wine Ladels and Strainers from Ancient Times.”The Journal of the Walters Art Gallery, 5: pp. 44, 52, fig. 4.

Richter, Gisela M. A. 1946. Attic Red-Figured Vases: A Survey. p. 63, figs. 24e-f, New Haven: Yale University Press.

Metzger, Henri. 1951. Les représentations dans la céramique attique du IVe siècle. no. 23, pp. 13, 24, 26, Paris: E. de Boccard.

Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 73, Cambridge, Mass.: Harvard University Press.

Richter, Gisela M. A. 1958[1946]. Attic Red-Figured Vases: A Survey, Revised Edition, 2nd edn. p. 63, figs. 24e-f, New Haven: Yale University Press.

Beazley, John D. 1963[1942]. Attic Red-figure Vase-painters, Vols. 1 and 2, 2nd ed. pp. 467, 481, 1654, no. 118, Add. 1, pp. 458-80, Oxford: Clarendon Press.

Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 378, Oxford: Clarendon Press.

von Bothmer, Dietrich. 1972. Greek Vase Painting: An Introduction. p. 7, New York: The Metropolitan Museum of Art.

Mertens, Joan R. 1976. “A Hellenistic Find in New York.” Metropolitan Museum Journal, 11: pp. 74-75, fig. 7.

Cohen, Beth and University of Chicago Press. 1991. “The Literate Potter: A Tradition of Incised Signatures on Attic Vases.” Metropolitan Museum Journal, 26: pp. 70–73, figs. 38–39.

Kunisch, Norbert. 1997. Makron. pl. 377, Mainz am Rhein: Verlag Philipp von Zabern.

Sini, Thalia. 1997. “A Symposion Scene on an Attic Fourth-Century Calyx-krater in St. Petersburg.”Greek Offerings: Essays on Greek Art in Honour of John Boardman, Dr. Olga Palagia, ed. p. 164 n. 22, Oxford: Oxbow Books.

Miller, Margaret C. 1999. “Reexamining Transvestism in Archaic and Classical Athens: The Zewadski Stamnos.”American Journal of Archaeology, 103(2): p. 244–45, fig. 22.

Blundell, Sue. 2002. “Clutching at Clothes.”Women’s Dress in the Ancient Greek World, Lloyd Llewellyn-Jones, ed. p. 167 n. 56, London: Gerald Duckworth.

Mertens, Joan R. 2010. How to Read Greek Vases. no. 23, pp. 13, 24, 26, 81, 98, 116-20, 139, New York: The Metropolitan Museum of Art.

Lezzi-Hafter, Adrienne, Cécile Jubier-Galinier, Leslie Threatte, Jan-Matthias Müller, and Kristine Gex. 2016. Potters – Painters – Scribes : Inscriptions on Attic Vases, Rudolf Wachter, ed. p. 143, Zürich: Akanthus Verlag für Archäologie

Metropolitan Museum of Art. 2017. The Artist Project : What Artists See When They Look at Art. pp. 116–17, New York.

The Metropolitan Museum

Beazley